![]() ![]() ![]() With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Instead, she dismantled the very concept of 'greatness', unravelling the basic assumptions that had centred a male-coded 'genius' in the study of art. Nochlin refused to handle the question of why there had been no 'great women artists' on its own, corrupted, terms. Linda Nochlin's seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. ![]() Introduction by Catherine Grant * 1.Why Have There Been No Great Women Artists? * 2."Why Have There Been No Great Women Artists?" Thirty Years After * Notes * Further Reading.Bibliography Includes bibliographical references Contents ![]()
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